VIDEO PRODUCTION

 
 

I HAVE A VERY PARTICULAR SET OF SKILLS

-  Me (and Liam Neeson)

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PRODUCING

Creating storyboards and shot lists


Writing scripts, outlines, host copy, and other creative production documents 


Creating positive relationships with talent, agents, and other representatives


Setting the production and post schedule


Hiring below the line crew and vendors 


Supervising and motivating key department heads


Location scouting, pre-interviews, and booking


Interviewing talent


Negotiating with vendors and trade-outs


Lighting scenes, when necessary


Running sound via lavs, when necessary


Managing legal issues, as well as clearing music, footage, artwork, people, locations

DIRECTING

Overseeing the creative and logistics of a project


Leading with decisive, forward-thinking, positivity


Collaborating with and addressing network/company needs 


Maintaining and modifying the format, as needed


Directing scripted comedy and stylized documentary scenes


Directing re-creations and re-enactments


Multi-camera directing (up to 6 cameras)

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Recording audio and lighting on a Feed M

POST-PRODUCING

Editor and advance string-outs on Adobe Premiere, Final Cut 7, and Avid Media Composer


Writing voiceover for talent


Overseeing multiple editors on multiple episodes, characters, and storylines


Hiring GFX/VFX artists, sound designers, online color correctors, and composers


Stylizing show open titles, bumpers, animations, music cues, general visual and audio show elements 


Providing constructive and motivating notes to editors, composers, animators, colorists, and sound designers 


Collaborating with Post Supervisors and other post staff


Addressing network or client notes


Delivering deliverables on time

NEW PRODUCT DEVELOPMENT

Project Management Consulting


Writing episodic scripts and script editing for short or long format

Creating TV formats

Developing the artistic design strategy that defines a company's brand

Drafting treatments and pitch decks via KeyNote, Powerpoint, Pages

In-depth research, reporting, writing, and scheduling shoots

Outreach via social media, personal contacts, cold phone calls, in-person pitching

Skype and FaceTime recording

Writing one-sheets, beat-sheets, hot sheets, call sheets

Directing scenes and cast interviews

Familiar with collaborative tools such as Wipster, Monday, Vimeo, Frame.io, StudioBinder​, Team Up

 
 
 

FEED ME TV SIZZLE REEL

 
 

DELIVERING AN EXPERIENCE

A detailed example of how I managed the entire creative process of  "The LIEducation of Scott Vogel,"  taking visual storytelling to a whole new level

After successfully launching Feed Me TV and my first spin-off, "Quick Bites," I took the initiative to examine other potential programming opportunities.

 

NEW KID ON THE BLOCK

In this series, viewers join Scott Vogel, the newest food critic to join our team, on his education of signature Long Island dishes and legendary dining experiences. 

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SHARING THE LOVE ACROSS ALL PLATFORMS

By identifying the potential in Scott’s unique reporting and quirky personality, I was able to craft an overwhelmingly positive response from passionate fans which has resulted in all of Scott's content becoming one of our top contributors to conversions and time on site. 

 

AMAZON ALEXA BRIEFING

I wrote and distributed the news story for our Amazon Alexa Daily Briefing which was published in the early morning hours of the episode's launch, aimed toward commuters.

PRINT PROMOTION

I coordinated the images and wording to publish on page A8 of the newspaper the day of the episode's launch, aimed toward our print subscribers interests.

NEWSLETTER PROMOTION

Next, I coordinated the images and wording for the Feed Me newsletter which was sent out around lunchtime on the day the episode was published, with particular attention placed on the interest of the local foodies who make up our newsletter subscribers.

SOCIAL MEDIA PROMOTION

Finally, I wrote the share text for the special social video which was published around dinner time on all Feed Me and Newsday social media platforms. The tone was casual, humourous, and inviting to those looking for a laugh or a nostalgic trip down memory lane at a Long Island classic.

 
 

INTERACTIVE PROMOTION

After the successful launch of the Scott Vogel video series, I was asked to guide our marketing team in the creative concept of our 2019 Columbus Day parade float. The float was designed as a live re-enactment of my crew filming inside a restaurant. On the float were Feed Me personalities and Instagram influencers who published the entire experience for their followers.

NYC FOCUSED TV PROMO

This promo was aired on ABC 7 NY during their live coverage of the 2019 Columbus Day parade which complimented
the broadcast coverage of our Feed Me parade float.

 
 

RESUMES

VIDEO PRODUCER

My long history of video production experience is all here.

CREATIVE DIRECTOR

A detailed look at my experience with creative direction.

COMMUNICATIONS DIRECTOR

I've done it all. Don't believe me? Take a look at my extensive communications experience.

 

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